Dr. Suchetana Banerjee, Gayatri Mendanha, and Ananya Dutta share a set of interconnected research interests that sit at the crossroads of literature, performance, and lived experience in Maharashtra. Their collaborative minor research project, “Traditions of Devotion: Narratives and Lived Experiences,” funded by Symbiosis International (Deemed University) and supported by INTACH (Pune chapter), signals a common concern of how devotion is articulated through stories, performances, and everyday practices. Working within the liberal arts framework at SSLA, they collectively foreground an interdisciplinary methodology that brings together ethnographic practices, textual analyses, performative framworks, and philosophical interventions to understand how meaning is produced, negotiated, and contested in public sphere. Suchetana’s background in Comparative Literature and Theatre Studies, along with her long-term engagement with performance practices, aligns with a research orientation that treats performance as both text and method, allowing devotional and cultural narratives to be studied as embodied, situated acts rather than static objects. Gayatri’s training and teaching in both Philosophy and English contribute a strong conceptual and ethical frame, enabling questions about knowledge, belief, and subjectivity to be posed alongside close readings of texts and performances. Ananya’s professional formation in English and Journalism, introduce inter-mediality through which representational practices can be examined in public discourses.Their shared research brings together the study of narratives as they move across genres and media, the lived practices of devotion and community, and the ways these experiences are shaped through language, performance, and representation. Central to their work is a critical attention to how structures of power—such as gender, caste, and institutional hierarchies—influence whose voices are heard, whose bodies are visible, and whose stories are allowed to circulate.
Within SSLA’s research and community outreach ecosystem, they collaborate on minor research projects and community-based programmes that reflect a shared commitment to public, pedagogical scholarship. Their approach positions students and community participants as active collaborators in knowledge production rather than passive subjects of study. Together, their work forms part of a broader interdisciplinary agenda that examines how stories, performances, and media practices—rooted in specific histories and social contexts—shape contemporary understandings of selfhood, community, and devotion in India.